Racing Sculpture, Villa d’Este (Aluminum Edition)

Now available in three sizes on fine Aluminum panels — a surface that amplifies reflection, geometry, and sculptural tension.

Captured on the edge of Lake Como during the world-renowned Concorso d’Eleganza Villa d’Este, this image frames Ferrari 250 GTO chassis 3445GT, dressed in Swedish blue and yellow, moments before motion.
The symmetry is pristine. The tension, silent. The car feels ready to ignite — alive in stillness.

Originally bodied in 1962 and later reshaped by Piero Drogo for Scuderia Serenissima, this GTO raced the Targa Florio wearing number 112.
One of only 36 Ferrari 250 GTOs ever built it belongs to a class of race cars that define automotive legend.

Considered the Mona Lisa among cars, a 250 GTO once fetched $70 million in a private sale, with public auctions regularly surpassing $50 million — making it consistently one of history’s highest-priced Ferraris .

Printed on premium matte-finish aluminum, this edition captures every contour and curve with architectural clarity. The lakeside glare, the metallic tone, the green geometry of Villa d’Este — all held in crisp tension across the surface.

Whether placed in a minimalist office, a collector’s lounge, or a high-end showroom — this is more than a photograph. It is a statement of obsession.