Skip to content

Cart

Your cart is empty

McLaren M28-2 — 1979 F1 Detail

Sale price€149,00

PREMIUM PHOTOGRAPHY: QUENTIN MARTINEZ

A close-up of the McLaren M28-2—an era when F1 design was drawn in color blocks and airflow. Orange and white, crisp edges, and those cooling louvers that say “race car” before you read anything else. Available in three sizes.

Frame style:
Size:
Size Guide

FINE ART PAPER PRINTS: Available in three sizes:

  • A3 (30 × 42 cm)
  • A2 (42 × 60 cm)
  • Statement Piece Size(85 × 60 cm)

You can choose unframed (print only) or framed. Framed pieces are finished in a black frame with acrylic glazing (plexiglass).
The framed option adds a small outer border beyond the print size.

ALUMINUM PRINTS: Offered in two large formats:

  • Collector’s Piece Size (approx. 100 cm wide)
  • Statement Piece Size (approx. 140 cm wide)

Height varies by artwork — please refer to the product images for the exact size of the piece you’re viewing. Printed on a 3 mm aluminum panel, finished on white base or brushed aluminum, depending on what best elevates the image.

Aluminum Display Notes: For large formats, we recommend leaning the piece. If wall-mounted, use professional hardware suitable for the weight and surface.

Click here for more

Limited Edition

Museum-Grade Paper

Certificate Included

Archival Pigment Print

Made in Italy

McLaren M28-2 — 1979 F1 Detail
McLaren M28-2 — 1979 F1 Detail Sale price€149,00

FINE ART PRINT

Edition Details

ONLY 99 PRINTS

Each artwork is part of a strictly limited run of 99 prints. The edition size is stated on your Certificate of Authenticity and logged in the Still Motion Registry.

FINE ART

Printed on Hahnemühle Photo Rag, a 100% cotton, museum-grade paper from one of the world’s oldest paper mills (founded in 1584). It keeps tones rich, details crisp, and gives each photograph a calm, tactile presence.

PRINT OR FRAMED

Choose your version: Print Only if you already have a frame, or Framed & Ready to Hang in a slim gallery frame with light plexiglass for safe shipping. Both options keep the same archival fine-art quality.

Curated by Still Motion

From the Marlboro era—when tobacco money didn’t just sponsor racing, it defined the livery and the legend.

M28-2 — Sponsor Era Icon

The McLaren M28-2 sits right in the tension-point of late-1970s Formula One: raw DFV power, evolving aero, and teams fighting to adapt as the sport changed shape. This chassis was campaigned in 1979 with John Watson and later Patrick Tambay—and it proved it could run up front, including a podium (P3) in Argentina.

This frame focuses on the car’s “working skin”: the airbox and engine-cover louvers, where cooling, drag, and stability get negotiated in plain sight. The Marlboro geometry isn’t just livery—it’s a period signature, a visual stamp of an era when sponsorship became identity and racing became graphic. Up close, it reads like industrial design: purposeful vents, tight seams, and a surface built to manage heat, air, and speed.

MATERIALS

Printed on Fine Art Paper

We use museum-grade fine art paper to honour each photograph’s depth, texture and tones, giving collectors a print that feels rich, calm and built to last.

Depth & Detail

Giclée printing on fine art paper delivers intense, even colours and smooth gradients, achievable only with dedicated pigment printers – every reflection and contour stays beautifully defined.

MADE TO COLLECT

Archival fine art paper and pigment inks keep tones stable and paper smooth for decades, so each piece can live like a true collectible – signed, certified, and ready to enter a serious collection.

CALM, MATTE FINISH

The soft matte surface keeps reflections low and colours gentle on the eye, so the photograph looks composed and readable in real rooms – from bright living spaces to focused gallery walls.

MAINTENANCE TIPS

CARING FOR YOUR FINE ART PRINT

Fine art giclée prints on archival cotton paper are made to last for generations when treated with care. Handle yours by the edges, keep it away from direct sunlight, humidity, and heat sources, and always frame it under glass or plexiglass. To clean, dust only the frame or glazing with a soft, dry microfiber cloth.

”Remarkable work. Passion in every detail.”

A Ferrari Collector, France

”A true collector’s piece — worthy and immediate addition to my collection.”

A Ferrari Collector, Italy

”Pure passion. This artwork captures the very soul of motorsport.”

A Ferrari Collector, France